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Showing: 1-10 results of 15

INTRODUCTION BY THE EDITOR. Recitation with dramatic energy by men whose business it was to travel from one great house to another and delight the people by the way, was usual among us from the first. The scop invented and the glee-man recited heroic legends and other tales to our Anglo-Saxon forefathers. These were followed by the minstrels and other tellers of tales written for the people. They frequented fairs and merrymakings, spreading the... more...

INTRODUCTION. Arthur Young was born in 1741, the son of a clergyman, at Bradfield, in Suffolk.  He was apprenticed to a merchant at Lynn, but his activity of mind caused him to be busy over many questions of the day.  He wrote when he was seventeen a pamphlet on American politics, for which a publisher paid him with ten pounds’ worth of books.  He started a periodical, which ran to six numbers.  He wrote novels. ... more...

Pope’s life as a writer falls into three periods, answering fairly enough to the three reigns in which he worked.  Under Queen Anne he was an original poet, but made little money by his verses; under George I. he was chiefly a translator, and made much money by satisfying the French-classical taste with versions of the “Iliad” and “Odyssey.”  Under George I. he also edited Shakespeare, but with little... more...

INTRODUCTION. “A ray has pierced me from the highest heaven—I have believed in worth; and do believe.” So runs Mr. Woolner’s song, as it proceeds to show the issue of a noble earthly love, one with the heavenly.  Its issue is the life of high endeavour, wherein    “They who would be something moreThan they who feast, and laugh and die, will hearThe voice of Duty, as the note of... more...

INTRODUCTION It is a happy memory that associates the foundation of our Royal Academy with the delivery of these inaugural discourses by Sir Joshua Reynolds, on the opening of the schools, and at the first annual meetings for the distribution of its prizes.  They laid down principles of art from the point of view of a man of genius who had made his power felt, and with the clear good sense which is the foundation of all work that looks... more...


INTRODUCTION. Gilbert White was born in the village of Selborne on the 18th of July, in the year 1720.  His father was a gentleman of good means, with a house at Selborne and some acres of land.  Gilbert had his school training at Basingstoke, from Thomas Warton, the father of the poet of that name, who was born at Basingstoke in 1728, six years younger than his brother Joseph, who had been born at Dunsford, in Surrey.  Thomas... more...

INTRODUCTION. Gilbert White’s home in the quiet Hampshire village of Selborne is an old family house that has grown by additions, and has roofs of nature’s colouring, and creeping plants on walls that have not been driven by scarcity of ground to mount into the air.  The house is larger, by a wing, now than when White lived in it.  A little wooded park, that belongs to it, extends to a steep hill, “The Hanger,”... more...

INTRODUCTION. Again, on behalf of readers of this National Library, I have to thank a poet of our day—in this case the Oxford Professor of Poetry—for joining his voice to the voices of the past through which our better life is quickened for the duties of to-day.  Not for his own verse only, but for his fine sense also of what is truest in the poets who have gone before, the name of Francis Turner Palgrave is familiar to us... more...

INTRODUCTION. Sir Walter Scott's "Letters on Demonology and Witchcraft" were his contribution to a series of books, published by John Murray, which appeared between the years 1829 and 1847, and formed a collection of eighty volumes known as "Murray's Family Library." The series was planned to secure a wide diffusion of good literature in cheap five-shilling volumes, and Scott's "Letters," written and published in 1830, formed one of the earlier... more...

INTRODUCTION. This translation of Xenophon’s “Memorabilia of Socrates” was first published in 1712, and is here printed from the revised edition of 1722.  Its author was Edward Bysshe, who had produced in 1702 “The Art of English Poetry,” a well-known work that was near its fifth edition when its author published his translation of the “Memorabilia.”  This was a translation that remained in... more...