CHAPTER I "Samuel," said old Ephraim, "Seek, and ye shall find." He had written these words upon the little picture of Samuel's mother, which hung in that corner of the old attic which served as the boy's bedroom; and so Samuel grew up with the knowledge that he, too, was one of the Seekers. Just what he was to seek, and just how he was to seek it, were matters of uncertainty—they were part of the search. Old Ephraim could not tell him... more...

CHAPTER I. SIGHTING A PRIZE. About noon of a day in May during the recent year the converted tug Uncas left Key West to join the blockading squadron off the northern coast of Cuba. Her commander was Lieutenant Raymond, and her junior officer Naval Cadet Clifford Faraday. The regular junior officer was absent on sick leave, and Cadet Faraday had been assigned to his place in recognition of gallant conduct. The ropes were cast off, and slowly... more...

"Jimmie," said Lizzie, "couldn't we go see the pictures?" And Jimmie set down the saucer of hot coffee which he was in the act of adjusting to his mouth, and stared at his wife. He did not say anything; in three years and a half as a married man he had learned that one does not always say everything that comes into one's mind. But he meditated on the abysses that lie between the masculine and feminine intellects. That it should be possible for... more...

INTRODUCTION Upton Sinclair is one of the not too many writers who have consecrated their lives to the agitation for social justice, and who have also enrolled their art in the service of a set purpose. A great and non-temporizing enthusiast, he never flinched from making sacrifices. Now and then he attained great material successes as a writer, but invariably he invested and lost his earnings in enterprises by which he had hoped to ward off... more...

BOOK I SYLVIA AS WIFE 1. I am telling the story of Sylvia Castleman. I should prefer to tell it without mention of myself; but it was written in the book of fate that I should be a decisive factor in her life, and so her story pre-supposes mine. I imagine the impatience of a reader, who is promised a heroine out of a romantic and picturesque "society" world, and finds himself beginning with the autobiography of a farmer's wife on a solitary... more...

Chapter 1 It was four o'clock when the ceremony was over and the carriages began to arrive. There had been a crowd following all the way, owing to the exuberance of Marija Berczynskas. The occasion rested heavily upon Marija's broad shoulders—it was her task to see that all things went in due form, and after the best home traditions; and, flying wildly hither and thither, bowling every one out of the way, and scolding and exhorting all day... more...

ACT I [JULIA PATTERSON'S apartments in a model tenement on the lower East Side. The scene shows the living-room, furnished very plainly, but in the newest taste; "arts and crafts" furniture, portraits of Morris and Ruskin on the walls; a centre table, a couple of easy-chairs, a divan and many book-shelves. The entrance from the outer hall is at centre; entrance to the other rooms right and left.] [At rise: JULIA has pushed back the lamp from... more...

CHAPTER I "Return at ten-thirty," the General said to his chauffeur, and then they entered the corridor of the hotel. Montague gazed about him, and found himself trembling just a little with anticipation. It was not the magnificence of the place. The quiet uptown hotel would have seemed magnificent to him, fresh as he was from the country; but, he did not see the marble columns and the gilded carvings-he was thinking of the men he was to meet.... more...

CHAPTER I "I am," said Reggie Mann, "quite beside myself to meet this LucyDupree." "Who told you about her?" asked Allan Montague. "Ollie's been telling everybody about her," said Reggie. "It sounds really wonderful. But I fear he must have exaggerated." "People seem to develop a tendency to exaggeration," said Montague, "when they talk about Lucy." "I am in quite a state about her," said Reggie. Allan Montague looked at him and smiled.... more...

THE NATUREWOMAN ACT I [Scene shows a luxuriously furnished drawing-room. Double doors, centre, opening to hall and stairway. Grand piano at right, fireplace next to it, with large easy-chair in front. Centre table; windows left, and chairs.] [At rise: ETHEL standing by table; a beautiful but rather frail girl of sixteen; opening a package containing photograph in frame.] ETHEL. Oceana! Oceana! [She gazes at it in rapture.] Oh, I wonder if... more...