Free eBooks - Literary Collections - Continental European
Total eBooks in selected subject: 121 on 13 pages.
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Introduction.
The tale of Tartarin de Tarascon was written by Alphonse Daudet in 1872, and was one of the many works which he produced. In it he pokes gentle fun at a type of Frenchman who comes from the Midi, the area where he himself was born. Tartarin has characteristics which may remind the English-speaking reader of Toad of Toad Hall, a boastful braggart, easily deceived, but good-hearted au fond.
The ... more...
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CHAPTER I—M. MYRIEL
In 1815, M. Charles-Francois-Bienvenu Myriel was Bishop of D—— He was an old man of about seventy-five years of age; he had occupied the see of D—— since 1806.
Although this detail has no connection whatever with the real substance of what we are about to relate, it will not be superfluous, if merely for the sake of exactness in all points, to mention here ... more...
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ALFRED DE MUSSET
A poet has no right to play fast and loose with his genius. It does not belong to him, it belongs to the Almighty; it belongs to the world and to a coming generation. At thirty De Musset was already an old man, seeking in artificial stimuli the youth that would not spring again. Coming from a literary family the zeal of his house had eaten him up; his passion had burned itself out and his ... more...
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PREFACE
This book is designed to accompany an introductory study of the history of German literature. It is assumed that the history itself will be learned, so far as necessary, either from lectures or from some other book devoted to the subject. As the selections were made, for the most part, while I was writing my own short history of German literature for the series published under the general editorship ... more...
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THE OLD MAN OF THE MOUNTAIN.
The name of Herr Balthasar was well known throughout the whole hill-country: not a child but had heard of his vast riches, and had some story to tell of him. Everybody too loved and honoured him; for his bounty was as great as his wealth: but at the same time he was viewed with fear; for he harast both himself and others by a number of strange whims which no one ... more...
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THE ART OF DISCRIMINATION
The world divides itself into people who can discriminate and people who cannot discriminate. This is the ultimate test of sensitiveness; and sensitiveness alone separates us and unites us.
We all create, or have created for us by the fatality of our temperament, a unique and individual universe. It is only by bringing into light the most secret and subtle elements of this ... more...
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PREFACE
French prose and French poetry had interested me during so many years that when Mr. Gosse invited me to write this book I knew that I was qualified in one particular—the love of my subject. Qualified in knowledge I was not, and could not be. No one can pretend to know the whole of a vast literature. He may have opened many books and turned many pages; he cannot have penetrated to the soul of ... more...
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WHAT PAUL BOURGET THINKS OF US
He reports the American joke correctly. In Boston they ask, How much does he know? in New York, How much is he worth? in Philadelphia, Who were his parents? And when an alien observer turns his telescope upon us—advertisedly in our own special interest—a natural apprehension moves us to ask, What is the diameter of his reflector?
I take a great interest in M. ... more...
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FRENCH LITERATURE.
Of French literature, taken as a whole, it may boldly be said that it is, not the wisest, not the weightiest, not certainly the purest and loftiest, but by odds the most brilliant and the most interesting, literature in the world. Strong at many points, at some points triumphantly strong, it is conspicuously weak at only one point,—the important point of poetry. In eloquence, in ... more...
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THE PURSE
For souls to whom effusiveness is easy there is a delicious hour that falls when it is not yet night, but is no longer day; the twilight gleam throws softened lights or tricksy reflections on every object, and favors a dreamy mood which vaguely weds itself to the play of light and shade. The silence which generally prevails at that time makes it particularly dear to artists, who grow contemplative, ... more...












