Shakespeare's England and London Shakespeare lived in a period of change. In religion, politics, literature, and commerce, in the habits of daily living, in the world of ideas, his lifetime witnessed continual change and movement. When Elizabeth came to the throne, six years before he was born, England was still largely Catholic, as it had been for nine centuries; when she died England was Protestant, and by the date of Shakespeare's death it... more...

Many years ago, I was retained in the great case of The Critics against Shakspere, the most celebrated on the calendar of history during three centuries. Unlike other cases, it has been repeatedly decided, and as often reopened and reheard before the most eminent judges, who have again and again non-suited the plaintiffs. Appeals have availed nothing to reverse those decisions. New actions have been brought on the ground of newly discovered... more...

PREFACE When I was invited to reprint in book-form the articles which had appeared in the Genealogical Magazine under the titles of "Shakespeare's Family" and the "Warwickshire Ardens," I carefully corrected them, and expanded them where expansion could be made interesting. Thus to the bald entries of Shakespeare's birth and burial I added a short life. Perhaps never before has anyone attempted to write a life of the poet with so little allusion... more...

PREFACE TO SHAKESPEARE That praises are without reason lavished on the dead, and that the honours due only to excellence are paid to antiquity, is a complaint likely to be always continued by those, who, being able to add nothing to truth, hope for eminence from the heresies of paradox; or those, who, being forced by disappointment upon consolatory expedients, are willing to hope from posterity what the present age refuses, and flatter... more...

TRAGEDIES Vol. IV MACBETH (392) Most of the notes which the present editor has subjoined to this play were published by him in a small pamphlet in 1745. I.i (393,*) Enter three Witches] In order to make a true estimate of the abilities and merit of a writer, it it always necessary to examine the genius of his age, and the opinions of his contemporaries. A poet who should now make the whole action of his tragedy depend upon enchantment, and... more...

Dr. Johnson's Preface to Shakespeare is one of the most famous critical essays of the eighteenth century, and yet too many students have forgotten that it is, precisely, a preface to the plays of Shakespeare, edited by Dr. Johnson himself. That is to say, the edition itself has been obscured or overshadowed by its preface, and the sustained effort of that essay has virtually monopolized scholarly attention—much of which should be directed... more...

PREFACE In telling the story of Shakespeare's life and work within strict limits of space, an attempt has been made to keep closely to essential matters. There is no period of the poet's life, there is no branch of his marvellous work, that has not been the subject of long and learned volumes, no single play that has not been discussed at greater length than serves here to cover the chief incidents of work and life together. If the Homes and... more...

CHAPTER I THE LIFE OF SHAKESPEARE Stratford-on-Avon is cleaner, better paved, and perhaps more populous than it was in Shakespeare's time. Several streets of mean red-brick houses have been built during the last half century. Hotels, tea rooms, refreshment rooms, and the shops where the tripper may buy things to remind him that he has been where greatness lived, give the place an air at once prosperous and parasitic. The town contains a few... more...

Mr. Crosby's article on Shakespeare's attitude toward the working classes suggested to me the idea of also expressing my own long-established opinion about the works of Shakespeare, in direct opposition, as it is, to that established in all the whole European world. Calling to mind all the struggle of doubt and self-deceit,—efforts to attune myself to Shakespeare—which I went through owing to my complete disagreement with this... more...

§ 1. THE MAIN (SENTIMENTAL) PLOT OF THE FOUR LOVERS AND THE COURT OF THESEUS "And out of olde bokes, in good feith, Cometh al this newe science that men lere." Chaucer. I As the play opens with speeches of Theseus and Hippolyta, it is convenient to treat first of these two characters. Mr. E.K. Chambers has collected (in Appendix D to his edition) nine passages from North's Plutarch's Life of Theseus, of which Shakespeare appears... more...