CHAPTER I.  SCOTLAND AND THE ROMANS. If we could see in a magic mirror the country now called Scotland as it was when the Romans under Agricola (81 A.D.) crossed the Border, we should recognise little but the familiar hills and mountains.  The rivers, in the plains, overflowed their present banks; dense forests of oak and pine, haunted by great red deer, elks, and boars, covered land that has long been arable.  There were lakes... more...

CHAPTER I—HOW THIS BOOK WAS WRITTEN, AND HOW NORMAN LESLIE FLED OUT OF FIFE It is not of my own will, nor for my own glory, that I, Norman Leslie, sometime of Pitcullo, and in religion called Brother Norman, of the Order of Benedictines, of Dunfermline, indite this book.  But on my coming out of France, in the year of our Lord One thousand four hundred and fifty-nine, it was laid on me by my Superior, Richard, Abbot in Dunfermline,... more...

JOHN AMEND-ALL On a certain afternoon, in the late spring-time, the bell upon Tunstall Moat House was heard ringing at an unaccustomed hour. Far and near, in the forest and in the fields along the river, people began to desert their labours and hurry towards the sound; and in Tunstall hamlet a group of poor country-folk stood wondering at the summons. Tunstall hamlet at that period, in the reign of old King Henry VI., wore much the same... more...

Gentlemen, In the volume now in your hands, the authors have touched upon that ugly devil of crime, with which it is your glory to have contended. It were a waste of ink to do so in a serious spirit. Let us dedicate our horror to acts of a more mingled strain, where crime preserves some features of nobility, and where reason and humanity can still relish the temptation. Horror, in this case, is due to Mr. Parnell: he sits before posterity... more...

THE SECOND CABIN I first encountered my fellow-passengers on the Broomielaw in Glasgow. Thence we descended the Clyde in no familiar spirit, but looking askance on each other as on possible enemies. A few Scandinavians, who had already grown acquainted on the North Sea, were friendly and voluble over their long pipes; but among English speakers distance and suspicion reigned supreme. The sun was soon overclouded, the wind freshened and grew... more...

'Life is not all beer and skittles,' said a reflective sportsman, and all books are not fairy tales. In an imperfect state of existence, 'the peety of it is that we cannot have all things as we would like them.' Undeniably we would like all books to be fairy tales or novels, and at present most of them are. But there is another side to things, and we must face it. '"Life is real, life is earnest," as Tennyson tells us,' said an orator to whom I... more...

CHAPTER I.—A Tale of Two Clubs. "Such arts the gods who dwell on highHave given to the Greek."—Lays of Ancient Rome. In the Strangers' Room of the Olympic Club the air was thick with tobacco-smoke, and, despite the bitter cold outside, the temperature was uncomfortably high. Dinner was over, and the guests, broken up into little groups, were chattering noisily. No one had yet given any sign of departing: no one had offered a welcome... more...

I.  THE GREAT IDEA The scene was a dusky shabby little room in Ryder Street.  To such caves many repair whose days are passed, and whose food is consumed, in the clubs of the adjacent thoroughfare of cooperative palaces, Pall Mall.  The furniture was battered and dingy; the sofa on which Logan sprawled had a certain historic interest: it was covered with cloth of horsehair, now seldom found by the amateur.  A bookcase with... more...

Preface Each Fairy Book demands a preface from the Editor, and these introductions are inevitably both monotonous and unavailing. A sense of literary honesty compels the Editor to keep repeating that he is the Editor, and not the author of the Fairy Tales, just as a distinguished man of science is only the Editor, not the Author of Nature. Like nature, popular tales are too vast to be the creation of a single modern mind. The Editor's business... more...

PREFACE In Homer and the Epic, ten or twelve years ago, I examined the literary objections to Homeric unity. These objections are chiefly based on alleged discrepancies in the narrative, of which no one poet, it is supposed, could have been guilty. The critics repose, I venture to think, mainly on a fallacy. We may style it the fallacy of "the analytical reader." The poet is expected to satisfy a minutely critical reader, a personage whom he... more...