CHAPTER I. THE TWO MARIES In one of the finest houses of the rue Neuve-des-Mathurins, at half-past eleven at night, two young women were sitting before the fireplace of a boudoir hung with blue velvet of that tender shade, with shimmering reflections, which French industry has lately learned to fabricate. Over the doors and windows were draped soft folds of blue cashmere, the tint of the hangings, the work of one of those upholsterers who have... more...

A PASSION IN THE DESERT "The whole show is dreadful," she cried coming out of the menagerie of M. Martin. She had just been looking at that daring speculator "working with his hyena,"—to speak in the style of the programme. "By what means," she continued, "can he have tamed these animals to such a point as to be certain of their affection for——" "What seems to you a problem," said I, interrupting, "is really quite natural."... more...

CHAPTER I. AN OLD MONASTERY "Come, deputy of the Centre, forward! Quick step! march! if we want to be in time to dine with the others. Jump, marquis! there, that's right! why, you can skip across a stubble-field like a deer!" These words were said by a huntsman peacefully seated at the edge of the forest of Ile-Adam, who was finishing an Havana cigar while waiting for his companion, who had lost his way in the tangled underbrush of the wood. At... more...

COLONEL CHABERT "HULLO! There is that old Box-coat again!" This exclamation was made by a lawyer's clerk of the class called in French offices a gutter-jumper—a messenger in fact—who at this moment was eating a piece of dry bread with a hearty appetite. He pulled off a morsel of crumb to make into a bullet, and fired it gleefully through the open pane of the window against which he was leaning. The pellet, well aimed, rebounded... more...

I. LOUISE DE CHAULIEU TO RENEE DE MAUCOMBE. PARIS, September. Sweetheart, I too am free! And I am the first too, unless you have written to Blois, at our sweet tryst of letter-writing. Raise those great black eyes of yours, fixed on my opening sentence, and keep this excitement for the letter which shall tell you of my first love. By the way, why always "first?" Is there, I wonder, a second love? Don't go running on like this, you will say,... more...

LOUIS LAMBERT Louis Lambert was born at Montoire, a little town in the Vendomois, where his father owned a tannery of no great magnitude, and intended that his son should succeed him; but his precocious bent for study modified the paternal decision. For, indeed, the tanner and his wife adored Louis, their only child, and never contradicted him in anything. At the age of five Louis had begun by reading the Old and New Testaments; and these two... more...

INTRODUCTION I have sometimes wondered whether it was accident or intention which made Balzac so frequently combine early and late work in the same volume. The question is certainly insoluble, and perhaps not worth solving, but it presents itself once more in the present instance. L'Illustre Gaudissart is a story of 1832, the very heyday of Balzac's creative period, when even his pen could hardly keep up with the abundance of his fancy and the... more...

THE UNKINDEST CUT OF ALL. Is it a petty or a profound trouble? I knew not; it is profound for your sons-in-law or daughters-in-law, but exceedingly petty for you. "Petty! You must be joking; why, a child costs terribly dear!" exclaims a ten-times-too-happy husband, at the baptism of his eleventh, called the little last newcomer,—a phrase with which women beguile their families. "What trouble is this?" you ask me. Well! this is, like many... more...

PIERRE GRASSOU Whenever you have gone to take a serious look at the exhibition of works of sculpture and painting, such as it has been since the revolution of 1830, have you not been seized by a sense of uneasiness, weariness, sadness, at the sight of those long and over-crowded galleries? Since 1830, the true Salon no longer exists. The Louvre has again been taken by assault,—this time by a populace of artists who have maintained... more...

ESTHER HAPPY; OR, HOW A COURTESAN CAN LOVE In 1824, at the last opera ball of the season, several masks were struck by the beauty of a youth who was wandering about the passages and greenroom with the air of a man in search of a woman kept at home by unexpected circumstances. The secret of this behavior, now dilatory and again hurried, is known only to old women and to certain experienced loungers. In this immense assembly the crowd does not... more...