Mrs. Lander went to a hotel in New York where she had been in the habit of staying with her husband, on their way South or North. The clerk knew her, and shook hands with her across the register, and said she could have her old rooms if she wanted them; the bell-boy who took up their hand-baggage recalled himself to her; the elevator-boy welcomed her with a smile of remembrance. Since she was already up, from coming off the sleeping-car, she had... more...

It was their first summer at Middlemount and the Landers did not know the roads. When they came to a place where they had a choice of two, she said that now he must get out of the carry-all and ask at the house standing a little back in the edge of the pine woods, which road they ought to take for South Middlemount. She alleged many cases in which they had met trouble through his perverse reluctance to find out where they were before he pushed... more...

BIBLIOGRAPHICAL The papers collected here under the name of 'My Literary Passions' were printed serially in a periodical of such vast circulation that they might well have been supposed to have found there all the acceptance that could be reasonably hoped for them. Nevertheless, they were reissued in a volume the year after they first appeared, in 1895, and they had a pleasing share of such favor as their author's books have enjoyed. But it is... more...

This book has grown out of studies begun twenty years ago in Italy, and continued fitfully, as I found the mood and time for them, long after their original circumstance had become a pleasant memory. If any one were to say that it did not fully represent the Italian poetry of the period which it covers chronologically, I should applaud his discernment; and perhaps I should not contend that it did much more than indicate the general character of... more...

METEOROLOGICAL EMOTIONS Whoever carries a mental kodak with him (as I suspect I was in the habit of doing long before I knew it) must be aware of the uncertain value of the different exposures. This can be determined only by the process of developing, which requires a dark room and other apparatus not always at hand; and so much depends upon the process that it might be well if it could always be left to some one who makes a specialty of it, as... more...

THE RESTORATION OF THE EASY CHAIR BY WAY OF INTRODUCTION It is not generally known that after forty-two years of constant use the aged and honored movable which now again finds itself put back in its old place in the rear of Harper's Magazine was stored in the warehouse of a certain safety-deposit company, in the winter of 1892. The event which had then vacated the chair is still so near as to be full of a pathos tenderly personal to all readers... more...

The events of Mr. James's life—as we agree to understand events—may be told in a very few words. His race is Irish on his father's side and Scotch on his mother's, to which mingled strains the generalizer may attribute, if he likes, that union of vivid expression and dispassionate analysis which has characterized his work from the first. There are none of those early struggles with poverty, which render the lives of so many... more...

MRS. SOMERS; MR. WILLIS CAMPBELL MRS. Amy Somers, in a lightly floating tea-gown of singularly becoming texture and color, employs the last moments of expectance before the arrival of her guests in marching up and down in front of the mirror which fills the space between the long windows of her drawing-room, looking over either shoulder for different effects of the drifting and eddying train, and advancing upon her image with certain little bobs... more...

Near the verge of a bold promontory stands the hotel, and looks southeastward over a sweep of sea unbroken to the horizon. Behind it stretches the vast forest, which after two hundred years has resumed the sterile coast wrested from it by the first Pilgrims, and has begun to efface the evidences of the inroad made in recent years by the bold speculator for whom Jocelyn's is named. The young birches and spruces are breast high in the drives and... more...

The question of a final criterion for the appreciation of art is one that perpetually recurs to those interested in any sort of aesthetic endeavor. Mr. John Addington Symonds, in a chapter of 'The Renaissance in Italy' treating of the Bolognese school of painting, which once had so great cry, and was vaunted the supreme exemplar of the grand style, but which he now believes fallen into lasting contempt for its emptiness and soullessness, seeks to... more...