CHAPTER I. You are fond (said my aunt) of sketches of the society which has passed away. I wish I could describe to you Sir Philip Forester, the "chartered libertine" of Scottish good company, about the end of the last century. I never saw him indeed; but my mother's traditions were full of his wit, gallantry, and dissipation. This gay knight flourished about the end of the seventeenth and beginning of the eighteenth century. He was the Sir... more...

LESLY'S MARCH. "But, O my country! how shall memory trace"Thy glories, lost in either Charles's days,"When through thy fields destructive rapine spread,"Nor sparing infants' tears, nor hoary head!"In those dread days, the unprotected swain"Mourn'd, in the mountains, o'er his wasted plain;"Nor longer vocal, with the shepherd's lay,"Were Yarrow's banks, or groves of Endermay."LANGHORN—Genius and Valour. Such are the verses, in which a... more...

The Author of the Waverley Novels had hitherto proceeded in an unabated course of popularity, and might, in his peculiar district of literature, have been termed "L'Enfant Gate" of success. It was plain, however, that frequent publication must finally wear out the public favour, unless some mode could be devised to give an appearance of novelty to subsequent productions. Scottish manners, Scottish dialect, and Scottish characters of note, being... more...

A man may see how this world goes with no eyes. Look with thine ears. See how yon justice rails upon yon simple thief. Hark in thine ear: Change places; and, handy-dandy, which is the justice, which is the thief? —King Lear. Among those who took the most lively interest in endeavouring to discover the person by whom young Charles Hazlewood had been waylaid and wounded was Gilbert Glossin, Esquire, late writer in ——, now Laird... more...

INTRODUCTION The Novel or Romance of Waverley made its way to the public slowly, of course, at first, but afterwards with such accumulating popularity as to encourage the Author to a second attempt. He looked about for a name and a subject; and the manner in which the novels were composed cannot be better illustrated than by reciting the simple narrative on which Guy Mannering was originally founded; but to which, in the progress of the work,... more...

INTRODUCTION TO CHRONICLES OF THE CANONGATE. The preceding volume of this Collection concluded the last of the pieces originally published under the NOMINIS UMBRA of The Author of Waverley; and the circumstances which rendered it impossible for the writer to continue longer in the possession of his incognito were communicated in 1827, in the Introduction to the first series of Chronicles of the Canongate, consisting (besides a biographical... more...

I. INTRODUCTION TO A LEGEND OF MONTROSE. The Legend of Montrose was written chiefly with a view to place before the reader the melancholy fate of John Lord Kilpont, eldest son of William Earl of Airth and Menteith, and the singular circumstances attending the birth and history of James Stewart of Ardvoirlich, by whose hand the unfortunate nobleman fell. Our subject leads us to talk of deadly feuds, and we must begin with one still more ancient... more...

Sir Walter Scott transmitted from Naples, in February, 1832, an Introduction for CASTLE DANGEROUS; but if he ever wrote one for a second Edition of ROBERT OF PARIS, it has not been discovered among his papers. Some notes, chiefly extracts from the books which he had been observed to consult while dictating this novel, are now appended to its pages; and in addition to what the author had given in the shape of historical information respecting the... more...

It has long been the ambition of the present publishers to offer to the public an ideal edition of the writings of Sir Walter Scott, the great poet and novelist of whom William Hazlitt said, 'His works are almost like a new edition of human nature.' Secure in the belief not only that his writings have achieved a permanent place in the literature of the world, but that succeeding generations will prize them still more highly, we have, after the... more...

INTRODUCTION TO THE TALISMAN. The "Betrothed" did not greatly please one or two friends, who thought that it did not well correspond to the general title of "The Crusaders." They urged, therefore, that, without direct allusion to the manners of the Eastern tribes, and to the romantic conflicts of the period, the title of a "Tale of the Crusaders" would resemble the playbill, which is said to have announced the tragedy of Hamlet, the character of... more...